Drive about 20 miles north of Portland, Maine and you’ll arrive at Pineland. It looks like a college campus: brick buildings with stately pillars, it’s surrounded by rolling hills. But Pineland’s exterior doesn’t tell you about its history. It opened as an institution for people with disabilities in 1908. Alexa Burke spoke with people who lived and worked at Pineland to learn about the history of institutionalization and the legacies that remain today.

Mira Ptacin highlights the work of David Brennan, a funeral home director at Hobbs Funeral Home. Ptacin speaks to Brennan about his profession and the various job functions at a funeral home.

Inside back cover for the Salt Summer 2002 Magazine with Salt information.

Back cover for Salt 2.

Communities can be bound together by a number of reasons, and for the community in Munjoy Hill, the restoration of St. Lawrence Church brought back a sense of community. Pam Carter discusses the restoration efforts of the community and details the project.

Hugh French documents how sheep are raised and driven on Big Nash.

Drive about 20 miles north of Portland, Maine and you’ll arrive at Pineland. It looks like a college campus: brick buildings with stately pillars, it’s surrounded by rolling hills. But Pineland’s exterior doesn’t tell you about its history. It opened as an institution for people with disabilities in 1908. Alexa Burke spoke with people who lived and worked at Pineland to learn about the history of institutionalization and the legacies that remain today.

Drive about 20 miles north of Portland, Maine and you’ll arrive at Pineland. It looks like a college campus: brick buildings with stately pillars, it’s surrounded by rolling hills. But Pineland’s exterior doesn’t tell you about its history. It opened as an institution for people with disabilities in 1908. Alexa Burke spoke with people who lived and worked at Pineland to learn about the history of institutionalization and the legacies that remain today.

Working for an escort business, women at Lovebirds speak about their mixed relationship with sex work. Hanna Wallis documents how the women feel about their work. Contains adult content.

Ali Scattergood documents the work of Ben Coombs, a glassblowing artist from Portland.

Erika Preuss captures the work of David Brennan, a funeral home director at Hobbs Funeral Home.

Sabrina Haley captures the work of the Troy Jackson, a state representative in Augusta.